The Story of our Production - Part 2
Sorry for my inactive posting recently. I have been
busy doing press and grassroots marketing for Hometown Baghdad. If you
want to catch up on previous episodes, check out www.hometownbaghad.com.
And for recent press stories, check out our stories in the Times
of London and NPR.
And hear is the continuation of the story of our production.
After we sent the money to our crew in Baghdad,
they immediately went to work. Producer Fady Hadid and director Ziad Turkey put together their team and gave out questionnaires to the participants.
We found out everything that they were planning on doing for the next few
months - family events, vacations, important happenings at school, hanging out
with friends, etc. And we, on the American side, began to work with Fady
and crew to figure out what kinds of stories we wanted to follow in each of
their lives. We realized that most of what Saif was doing was planning
for his departure from Iraq.
So we made a point to film him doing all the major things he needed to do
before he left - packing, saying goodbye to friends, getting a last minute
dental surgery, etc. Ausama was finishing his studies and going on
vacation. (Little did we know at that point how dramatic Ausama's story
would be by the end of the production.) And Adel was trying to spend time
with his band and figure out other ways to express his emotions through art and
music.
With those rough story ideas, Fady arranged the shots, got permits (an incredible feat in war-torn Baghdad) and began production. After every shoot day, Fady would send us a summary of what happened and what they had on film. The executive producers, Kate Hillis and Laurie Meadoff, and I would go through the write up and give Fady comments and suggestions on what else we would want. We also at this point bought personal camcorders for each of the participants and sent them to Iraq. Fady distributed them and instructed each participant to film their lives when the crews weren't around. Some of that footage ended up being among the most intimate and moving of all.
After a few weeks of shooting, Adel and Ausama left Iraq for a few weeks of vacation. And Saif left for good. So Fady and the crew took a break while making sure that Adel and Ausama were continually shooting more for us. Fady also sent us all of the footage that they had shot so far. Miraculously, that package made it through customs immediately and was sitting on my desk one Monday morning. I got a scissors, open up the package and began, along with the rest of the Chat team and some very dedicated interns, to go through the tapes, discovering along the way a perspective on Iraq and the war that the mainstream media had completely ignored up until that point.
Stay tuned for the next part of our story.
Michael Dibenedetto